c9eb44eab3
* make font derivations fixed-output where applicable * fix dead links * `stdenv.lib` -> `lib` where `stdenv` is not involved * remove `meta.platforms = [ unix ]` and `meta.platforms = [ linux ]` because the restriction has no sense for data packages
40 lines
1.6 KiB
Nix
40 lines
1.6 KiB
Nix
{ fetchzip, lib }:
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let
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version = "1.1";
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pname = "HyperScrypt";
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in
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fetchzip rec {
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name = "${lib.toLower pname}-font-${version}";
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url = "https://gitlab.com/StudioTriple/Hyper-Scrypt/-/archive/${version}/Hyper-Scrypt-${version}.zip";
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sha256 = "01pf5p2scmw02s0gxnibiwxbpzczphaaapv0v4s7svk9aw2gmc0m";
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postFetch = ''
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mkdir -p $out/share/fonts/{truetype,opentype}
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unzip -j $downloadedFile \*.ttf -d $out/share/fonts/truetype/${pname}.ttf
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unzip -j $downloadedFile \*${pname}.otf -d $out/share/fonts/opentype/${pname}.otf
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'';
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meta = with lib; {
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homepage = http://velvetyne.fr/fonts/hyper-scrypt/;
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description = "A modern stencil typeface inspired by stained glass technique";
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longDescription = ''
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The Hyper Scrypt typeface was designed for the Hyper Chapelle
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exhibition. It was commissioned by AAAAA Atelier to Studio
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Triple's designer Jérémy Landes. Hyper Scrypt is a modern
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stencil typeface inspired by the stained glass technique used in
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the Metz cathedral. It borrows the stained glass method, drawing
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holes for the light with black lead. This creates a reverse
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typeface, where the shapes of the letters are drawn by their
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counters. Hyper Scrypt is at the intersection between 3 metals :
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the sacred lead of stained glass, the lead of print characters
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and the heavy metal. Despite its organic look inherited for the
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molted metal, Hyper Scrypt is based upon a rigorous grid,
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allowing some neat alignements between shapes in multi lines
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layouts.
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'';
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license = licenses.ofl;
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maintainers = with maintainers; [ leenaars ];
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platforms = platforms.all;
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};
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}
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